Our Gear
Microphones
- Neumann U-87 (2)
- Neumann CMV563
- Neumann KM 84
- Warm Audio WA-47
- Warm Audio WA-251 (2)
- Sennheiser MD 421 (5)
- Sennheiser e609 (3)
- AKG c 414 (2)
- Audio-Technica 4050 (2)
- Beyerdynamic m160
- Shure sm7b
- Shure sm57
- AEA R84
- Electro-Voice re 20 (3)
- AKG d112
- Audio-Technica 4031 (2)
- Shure sm87 (2)
- Rode nt2
- MXL 960
Signal Processing
- UA 1176LN
- Manley ELOP
- Empirical Labs Distressor
- DBX 165A
- Altec 436C
- Arsenal V14
- API 550b
- Empirical Labs EL-DS De-esser
- Lawson Plate Reverb 4'x8'
- Lexicon 200
- Lexicon PCM60
- Demeter Real Reverb Spring
- UAD Plugin Suite
- Waves Plugin Suite
Console / Preamps
- Soundcraft 3200 Console - 32 In
- API 512 (500 Series) - 2
- API 3124 - 4 Channels
- Purple Biz - 2
- Great River mp500 - 2 Channels
- Universal Audio 610 - 2 Channels
- Vintech 473 - 4 Channels
- Meek VC1Q
- Sebatron vmp-4000e - 4 Channels
Recording Devices
- Cubase 9.5
- Steinberg Wave Lab
- CD Architect
- Otari MTR-10 2-Track Analog Tape
- Alesis Masterlink
Studio Instruments
- Hammond CV
- Hammond M3
- Leslie 22H Rotating Speaker
- Hailun 7'2" Grand Piano
- Moog Voyager
- Pacific by DW Drum Kit
- Pearl Chad Smith Signature Snare
- Zildjian A Custom Cymbals
Studio Amplifiers
- Ampeg PF-50 Tube
- Ampeg 1x15
- Ampeg B-2 4x8 Combo
- Marshall Super Tremolo 100w Head
- Marshall JCM 900 100w Head
- Marshall JCM 900 50w Head
- Marshall JCM 800 4x12 Cab
- Marshall1961A 2x12 Cab
- Peavey Classic 50 2x12 Combo
- Fender Vibrasonic Reverb (1968)
- Fender Vibrolux (65 reissue, modded)
- Fender Champ (1965)
- Gibson GH20 (1960)
- Gibson GT 8 (1961)